GRISELDA POLLOCK DIFFERENCING THE CANON PDF
In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?. In this book, art historian Griselda Pollock makes a compelling intervention into a debate at the very centre of feminist art history: should the traditional canon of. Buy Differencing the Canon: Feminism and the Writing of Arts Histories (Re Visions: Critical Studies in the History & Theory of Art) 1 by Griselda Pollock ( ISBN.
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Pollock asks both how women read and what might be different about art made by a woman.
Book Reviews Foreword Reviews Art. What difference can a feminist approach to art history make? Contents feminisms encounter with the canon.
She argues that it is not enough simply to read as a woman; we must also acknowledge the differences between women shaped by racist and colonial hierarchies. Lubaina Himid and the making of new narratives. She draws on psychoanalysis and deconstruction to examine the project of reading for ‘inscriptions in the feminine’, and asks what the signs of difference might be in art made by an artist who is ‘a woman’. In Differencing the CanonGriselda Pollock examines the tenacity of the canon’s appeal, and explores both the fantasies and desires served by traditional heroic differenicng in art history, and those which drive feminist criticism to oppose them Using experimental formats and different voices, Differencing the Canon goes beyond the academic canon to get closer to the grain of the feminist voice, using difference as a dynamic force po,lock open up the possibilities for reading complex visual art.
Nielsen Book Data Is the canon of art history a sacred collection of the best paintings by the greatest masters, or a construct turning its contents into products of mastery, and defining culture and creativity as essentially European and masculine?
Differencing the Canon
Other editions – View all Differencing the Canon: Physical description xviii, p. An Anthology Hilary Robinson No preview available – Or should we displace present gender demarcations and allow the ambiguities and complexities of desire to shape our readings of art? The flow of the book is wondrous, as Pollock builds each poolock idea onto the next, rounded out with rigorous research.
She draws on psychoanalysis and deconstruction to explore questions of sexuality and cultural difference, and although she asks more questions than she answers, the questions themselves are searingly insightful and important. Account Options Sign in. Nielsen Book Data Should we simply reject the all-male succession of ‘great artists’ in favour of an all-woman grisselda of artistic heroines?
F45 P63 Unknown. Publication date ISBN hbk.
Differencing the canon : feminist desire and the writing of art’s histories in SearchWorks catalog
On the mortality of the other. For more control over what you subscribe to, head on over to our subscription page.
Differencing the Canon moves between feminist re-readings grizelda the canonical modern masters – Van Gogh, Toulouse-Lautrec and Manet – and the ‘canonical’ artists of feminist art history, Artemisia Gentileschi and Mary Cassatt.
This article is csnon an endorsement, but a review. In this book, art historian Griselda Pollock makes a compelling intervention into a debate at the very centre of feminist art history: What ‘difference’ can feminist ‘interventions in art’s histories’ make? Try again or cancel this request.
Review of Differencing the Canon () — Foreword Reviews
The question of ;ollock traditional, patriarchal canon, of whether it should be rejected, replaced or reformed, is a debate at the centre of feminist art history. Selected pages Title Page. Foreword Reviews only recommends books that we love. Skip to search Griseelda to main content. Differencing the Canon moves between feminist re-readings of modern masters – Van Gogh, Toulouse-Lautrec and Manet – and the canonical artists of feminist art history Artemisia Gentileschi and Mary Cassatt.
Bibliography Includes bibliographical references p.
On the jouissance of the other. On the exhibition with the other. On the social other.
Publisher’s Summary In this major new book, renowned art historian Griselda Pollock makes a compelling intervention into a debate at the very centre of feminist art history: Pollock unpacks the representation of culturally grisflda female figures in a range of texts, from Manets depiction of the model Jeanne Duval in his painting Olympia, to Charlotte Brontes Lucy Snowe, artists representations of Cleopatra and Angela Carters Black Venus.
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